“That was always really important to me to find the right castle,” Thompson reveals. The Invitation shot at the Nadasdy Castle the location shares a surprising connection with the infamous killer Elizabeth Bathory, making it uniquely perfect for the vampire theme. The Gothic castle setting makes for a character in and of itself. I wanted to create that contrast and those layers throughout the film.” Of course, she doesn’t know how nefarious it is and that it’s a cult, but she’s walking. She’s our modern every woman, and she’s walking into this old world. To me, it’s like Evie ( Nathalie Emmanuel ). That was an intentional design choice that I made with Felicity Abbott, our production designer, to blend these two worlds. Some of them are strange and almost postmodern. “Also, with the production design, for instance, we walk into this Gothic, beautiful castle, but all the light fixtures are completely modern. That’s something that we wanted to exemplify. There are these two worlds going on within the film. There’s this fairy tale and this nightmare.
That’s also going into the layers of the stories we want to tell, which is this upstairs, downstairs. We use a lot of those oranges and those teals to create that contrast.
Autumn Eakin, the cinematographer who I worked with in my first feature, The Light of the Moon, and this one, we have a very similar color palette. I’m drawn to those stories, but it is romance meets horror, and it is contemporary meets Gothic. Thompson shares, “I love that it’s a genre mesh. The Invitation features a bold, contrasting color palette. That fairytale quality extends to the look of the film, as well.
When it’s a beautiful romantic or fairytale moment, it’s a different octave, and we allowed them to expand it.” We have three women like the three brides, and they become more haunting throughout. You may not even realize women are singing, but there are quite a lot of women singing in the score. It’s like the score also exemplifies that theme of a contemporary Gothic film, and it was really important to me to use female vocalization. Instead of playing them with a bow, she played them with their fingers, creating a different sound. Thompson tells BD, “I told Dara Taylor, our composer, ‘I want to steer away from using traditional instruments, or if we do, we manipulate them so that they don’t sound traditional.’ For instance, there are a lot of strings in the score, but she does a technique and plays them in a different way. But I hope people are open-minded when they come in because we’ve put a modern twist on those characters.”īecause The Invitation is a modern interpretation of Dracula’s Brides, Thompson wanted that to reflect in the film’s score. “We have some of the characters and some of the character names that come throughout, and I think those are nice little Easter eggs for true Dracula fans. It’s more of an inspiration point than trying to stay true to the book or retell it. There are new stories we want to see and want to know about, and we use that as a jumping-off point. We’ve done Dracula so many times let’s do the brides. That was what captivated me because we haven’t seen that. She explains, “It was to me, the Bride of Dracula origin story.
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The filmmaker shared with us that she filmed her vampire movie in a castle that shares ties with blood-obsessed serial killer Elizabeth Bathory.īut first, why was Thompson interested in Blair Butler‘s script in the first place? Thompson about the modern interpretation and its production. Ahead of the film’s release, Bloody Disgusting spoke with director Jessica M.
That conspiracy involves bloodsuckers of the classic literature variety. Described as “a contemporary horror thriller,” The Invitation tells “the story of a young woman who is courted and swept off her feet, only to realize a gothic conspiracy is afoot.” The Dracula-inspired horror movie The Invitation sinks its fangs into theaters this Friday, Aug.
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